This collection of ten critical essays is the first scholarly criticism of haiku by Sonia Sanchez. Her haiku, full of power and emotional voice for people, love, human nature, and African American experience, redefine haiku in English and African American poetic expression with her unique individuality.
Edited by John Zheng - Contributions by Michio Arimitsu; Tiffany Austin; John J. Han; Sally Michael Hanna; Richard A. Iadonisi; Toru Kiuchi; Ce Rosenow; Meta L. Schettler and Becky Thompson